American Fictionalists

It is both fun and informative to consider lists.  To debate the list is a sign that you have engaged with someone who knows what she is talking about.  This morning, I asked Google to find web pages that opined as to whom might be included on a list of the greatest American fictionalists (novelists, short story writers, poets, and playwrights).  Google and I found a page at NoSweatShakespeare.com, which contained a list, 20 Best American Writers. I’ll not quibble with the score of authors enumerated, but I might have substituted others (Jack London, Robert A. Heinlein, Ayn Rand, Robert Penn Warren, Dashiell Hammett, Robert Frost, for instances).

At any rate, these scriveners became famous because they could voice the sentiment of a people at their best. My goal is to present each of the 20, along with a quote that typifies this:

  • Nathaniel Hawthorne 1804 – 1864
    Nathaniel Hawthorne was a novelist and short story writer. Hawthorne’s works have been labelled ‘dark romanticism,’ dominated as they are by cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humankind. His novels and stories, set in a past New England, are versions of historical fiction used as a vehicle to express themes of ancestral sin, guilt and retribution…

    No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.

  • Edgar Allan Poe 1809 – 1849
    Edgar Allan Poe was an American writer, editor, and literary critic. He is best known for his poetry and short stories, particularly his tales of mystery and suspense. He is generally considered the inventor of detective ficiton. Poe’s work as an editor, a poet, and a critic had a profound impact on American and international literature. In addition to his detective stories he is one of the originators of horror and science fiction. He is often credited as the architect of the modern short story…

    All that we see or seem is but a dream within a dream.

  • Herman Melville 1819 – 1891
    Herman Melville was an American writer of novels, short stories and poems. He is best known for the novel Moby-Dick and a romantic account of his experiences in Polynesian life, Typee. His whaling novel, Moby-Dick is often spoken of as ‘the great American novel’ ’vying with Scott Fitgerald’s The Great Gatsby and Mark Twain’s Huckleberry Finn for that title…

    It is better to fail in originality than to succeed in imitation.

  • Walt Whitman 1819 – 1892
    Walt Whitman was a poet, essayist, and journalist who transformed poetry around the world with his disregard for traditional rhyme and meter and his celebration of democracy and sensual pleasure. His masterpiece, Leaves of Grass, a collection of poems, is widely studied by poets, students and academics, set to music, translated into numerous languages, and is widely quoted. His influence can be found everywhere – in contemporary best seller lists to feature films and musical works, both “serious” and popular…

 … re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul …

  • Emily Dickinson 1830 – 1886
    Unknown as a poet during her lifetime, Emily Dickinson is now regarded by many as one of the most powerful voices of American culture. Her poetry has inspired many other writers, including the Brontes. In 1994 the critic, Harold Bloom, listed her among the twenty-six central writers of Western civilisation. After she died her sister found the almost two thousand poems the poet had written…

We turn not older with years but newer every day.

  • Mark Twain 1835 – 1910
    Samuel Langhorne Clemens , far better known as Mark Twain, was an American writer, businessman, publisher and lecturer. He progressed from his day job as pilot of a Mississippi riverboat to legend of American literature. His work shows a deep seriousness and at the same time, it is hilariously satirical, as seen in his many quotes on all aspects of life. His masterpiece is the novel, Huckleberry Finn, which is regularly referred to as ‘the great American novel.’…

Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do. So, throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.

  • Henry James 1843 – 1916
    Henry James is regarded as one of the key figures of 19th-century literary realism. He is noted for writing from a character’s point of view’ which allowed him to explore consciousness and perception. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction, all of which were influential on the writing of the novelists who followed him. He was nominated for the Nobel prize for literature three times….

Cats and monkeys — monkeys and cats — all human life is there!

  • T.S. Eliot 1888 – 1965
    Thomas Stearns Eliot was an American-born, British, poet, essayist, playwright, critic, now regarded as one of the twentieth century’s major poets. He received more rewards than almost any other writer of the past two centuries, including the Nobel prize, the Dante Gold Medal, the Goethe prize, the US Medal of Freedom and the British Order of Merit…

Only those who will risk going too far can possibly find out how far one can go.

  • F. Scott Fitzgerald 1896 – 1940
    Francis Scott Fitzgerald was an American novelist, widely regarded as one of the greatest, if not the greatest, American writers of the 20th century. He is best known for his novel, The Great Gatsby, which vies for the title ‘Great American Novel’ with Mark Twain’s Huckleberry Finn and Herman Melville’s Moby-Dick. Fitzgerald’s place on this list is justified by the fact that his great novel is actually about America…

Either you think — or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize, and sterilize you.

  • William Faulkner 1897 – 1962
    William Cuthbert Faulkner was a Nobel Prize laureate, awarded the literature prize in 1949. He wrote novels, short stories, poetry, and screenplays. He is known mainly for his novels and short stories set in the fictional Yoknapatawpha Country, Mississippi. Faulkner is one of the most celebrated American writers, regarded, generally as the great writer of the American South…

Never be afraid to raise your voice for honesty and truth and compassion against injustice and lying and greed. If people all over the world…would do this, it would change the earth.

  • Tennessee Williams 1911 – 1983
    Thomas Lanier Williams III, known as Tennessee Williams is one of America’s most popular playwrights and now regarded as one of the most significant writers of the twentieth century. He wrote more than thirty plays, some of which have become classics of Western drama. He also wrote novels and short stories but is known almost exclusively for his plays. His genius was in the honesty with which he represented society and the art of presenting that in the form of absorbing drama…

I think that hate is a thing, a feeling, that can only exist where there is no understanding.

  • Arthur Miller 1915 – 2005
    Arthur Miller was a playwright and ‘great man’ of American theatre, which he championed throughout his long life. His many dramas were among the most popular by American authors and several are considered to be among the best American plays, among them the classics, The Crucible, All My Sons, A View from the Bridge and, above all, the iconic American drama, Death of a Salesman. He also wrote film scripts, notably the classic, The Misfits…

 … life is God’s most precious gift; no principle, however glorious, may justify the taking of it.

  • Joseph Heller 1923 – 1999
    Joseph Heller was an American writer of satirical novels, short stories and plays. Although he wrote several acclaimed novels, his reputation rests firmly on his masterpiece, the great American anti-war satire, Catch 22. Because of the quality of the novel and the impact it has made on American culture it has catapulted Heller into the ranks of the great American writers…

There was only one catch and that was Catch-22, which specified that a concern for one’s safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to.

  • Ernest Hemingway 1899 – 1961
    Ernest Hemingway was a novelist, short story writer, and journalist. He published seven novels, six short story collections, and two non-fiction works, and won the Nobel Prize for Literature in 1954. More works, including three novels, four short story collections, and three non-fiction works, were published posthumously…

Now is no time to think of what you do not have. Think of what you can do with what there is.

  • Raymond Chandler 1888 – 1959
    Raymond Chandler was a British-American novelist who wrote several screenplays and short stories. He published seven novels during his lifetime. The first, The Big Sleep, was published in 1939. An eighth, Poodle Springs, unfinished at his death, was completed by another great crime writer, Robert B Parker. Six of Chandler’s novels have been made into films, some more than once…

I knew one thing: as soon as anyone said you didn’t need a gun, you’d better take one along that worked.

  • Toni Morrison 1931 – 2019
    Toni Morrison’s novels are known for their vivid dialogue, their detailed characters and epic themes. Her most famous novel is the 1987 novel, Beloved. She was awarded both the Pulitzer Prize and the American Book Award in 1988 for Beloved, and the Nobel Prize for Literature in 1993…

Freeing yourself was one thing, claiming ownership of that freed self was another.

  • Vladimir Nabokov 1899 – 1977
    Vladimir Vladimirovich Nabokov was a Russian-American novelist, and also a famous entomologist, specialising in butterflies, a topic on which he wrote several academic books. He wrote nine novels in Russian, but it was when he began writing in English that he achieved international recognition…

I know more than I can express in words, and the little I can express would not have been expressed, had I not known more.

  • Flannery O’Connor 1925 – 1964
    Mary Flannery O’Connor wrote two novels and thirty-two short stories, and also several reviews and commentaries. Her reputation is based mainly on her short stories. She was a Southern writer and relied heavily on regional settings and typically southern characters. She was strongly Roman Catholic, which informed her exploration of ethics and morality…

The truth does not change according to our ability to stomach it.

  • John Steinbeck 1902 – 1968
    John Ernst Steinbeck was the author of 16 novels and various other works, including five short story collections. He is widely known for the novels, East of Eden, Of Mice and Men, and particularly, the Puliter Prize winning novel, The Grapes of Wrath, his masterpiece, which is one of the great American novels: it has sold more than 15 million copies so far…

All war is a symptom of man’s failure as a thinking animal.

  • John Updike 1923 – 2009
    John Updike was a novelist, short story writer and poet. He was also a literary and art critic. He published more than twenty novels, numerous short-story collections, eight volumes of poetry and many children’s books. He is most famous for his ‘Rabbit‘ series – novels that chronicle the life of his protagonist, Harry Angstrom – in which Updike presented his progress over the course of several decades…

They can be wonderful bastards because they have nothing to lose. The only people who can be themselves are babies and old bastards.

  • Kurt Vonnegut 1922 – 2007
    Kurt Vonnegut was an American writer who published fourteen novels, three short story collections, five plays, and five works of non-fiction. He is most famous for his novel ‘Slaughterhouse-Five’ (1969) which has become an American classic. It’s a semi-autobiographical novel based on his experience as a prisoner of war who survived the allies’ bombing of Dresden…

So it goes.

 

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The Badassity of Migrant Workers

If the pioneer and frontiersman spirit has disappeared in most Americans, it’s alive and well in migrant workers.

Imagine traveling all the way from Guatemala to Maine to pick blueberries, or from Nicaragua to Alberta to tend cattle, or from Mexico to Washington to harvest hops. There are people who do this, and they are badasses.

The people who make this journey often do it with few resources, and in spite of laws, ruffians, and thousands of miles. And they do it with vision: to support a family back home, or to make a new life possible for a family here.

There is almost unheard-of long-range thinking, courage, self-discipline, work ethic, and resourcefulness. Why are we not doffing our caps to these people?

There may be a language and cultural barrier, but it’s a true shame if we don’t get to know them and understand the realism in which they’re rooted as well as the ambition that lets them dream and travel vast distances for a better life. These people could teach us something. If the “spirit of America” is or should be anything at all, it’s embodied in the risk-taking of the migrant.

Originally published at JamesWalpole.com.

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State of the Union: No, Nick, Your Children Owe Nothing

Nicholas Sarwark is father to four pre-teen children. In his response to the State of the Union, delivered on behalf of the Libertarian Party (which he serves as national chair), he mentions that each of them are in debt to the tune of $70,633. “Not because we gave them credit cards to go buy cars,” he explains, but “because politicians in Washington have a credit card called the national debt.”

I don’t disagree with Nick — whom I’ve known for about 20 years — very often. On this subject, however, I do so vehemently.

No, Nick, your children don’t owe $70,633 each to the US government’s creditors. Nor do you or your wife Valerie. Nor do I. Nor does anyone reading this column who’s not a current or former president, vice-president, or member of Congress.

The only people who owe the $23 trillion “national debt” are the people who borrowed the money.

You didn’t borrow the money. They did.

You didn’t co-sign the loan. You didn’t negotiate the interest rates or other terms.

Yes, they offered your future income and your children’s future income as collateral, but that income wasn’t theirs to offer. You weren’t even consulted, except to the extent that 25% or so of you (on average) voted for one or more of the borrowers, most of whom lied to you about exercising “fiscal discipline” if elected.

And their creditors knew that, making them loan sharks by proxy. How else to describe someone who loans money on the borrowers’ promise to go beat it — principal plus interest — out of non-consenting third parties?

No one in his or her right mind believes the “national debt” will ever be paid off. It’s too big, it’s growing too fast, and it represents too large a chunk of American wealth and production.

Sooner or later, in one way or another, the US government will default. The politicians who borrow the money and the speculators who loan it to them are both engaged in a long-term game of musical chairs, hoping that the music won’t stop before they retire, die, or cash out at a profit.

When the music does stop, it’s going to get ugly for all of us. But the longer the music continues, the uglier that final note.

The good news is that after the default, the politicians’ credit card will be declined for some time to come, perhaps teaching them to live within their ample means.

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The Honest Guide to Mindfulness

Mindfulness has (amazingly, wonderfully) become quite a buzzword in the last decade or so, and for good reason. It’s powerful, and can help us to become more present, happier, more focused, and much more.

However, if you’re new to mindfulness, it’s easy to get the wrong idea from all the marketing you’ll find online. Images of people at complete peace with the world and themselves, full of bliss, simply by sitting still and meditating for a few minutes … they are beautiful images, but they don’t tell the whole truth.

Mindfulness is powerful, and you should absolutely do it. But you should do it with your eyes wide open, knowing what’s up.

So here’s my attempt at an honest guide to mindfulness.

Mindfulness is hard. You can meditate and get antsy, want to get up, want to go do something else, plan your day, dive into your work, answer a few messages, search for some information you’re itching to know about.

Mindfulness is hard, which is a good reason to do it.

Mindfulness is messy. You’ll get started with meditation, maybe get on a streak of meditating every day, and feel really good about yourself. Then you might fall off, struggle to start again, feel bad about it. You’ll do this for years, perhaps. Or maybe you’ll meditate regularly but struggle to be mindful throughout the day, especially during certain situations like working online or while you’re eating or socializing. You’ll get better at being present, but only in spurts and starts, and the learning will be anything but smooth.

Mindfulness is messy, just like life, which is the reason to open up to the messiness instead of our usual desire for things to be orderly and neat. We can learn to accept the messiness of life if we practice with it.

Mindfulness is uncomfortable. Sitting still and facing the sensations of the present moment can feel boring. It can bring up itches that you just need to scratch right now. Urges to go to do something else, to plan and solve and remember, will come up, because they are the old mental habits. And not following those urges can be very uncomfortable.

Mindfulness is uncomfortable because it’s so rare for us not to indulge in those old mental patterns. But that’s the very reason it’s so powerful.

Mindfulness pulls the rug out from under your feet. Let’s say you’ve been practicing meditation for a few months, and you think you’re getting the hang of it. All of a sudden, everything you think you knew about meditation can be upended, as you learn something new, or as a new pattern starts to come up. Now you have to adjust to that. After a few months, you might think you know a thing or two, and then you read a book or listen to a talk from a teacher, and that gets yanked away from you too. Over and over, you get upended, and it can be very jarring each time.

Mindfulness can be jarring when you get upended. And that’s part of the magic too — feeling like we are on solid ground is an illusion, and learning to deal with the groundlessness of not knowing is an incredible practice.

Mindfulness takes a metric crap-ton of practice. You’ll suck at meditation (or any other mindfulness practice) when you first start. You can’t “do it right” or keep your attention on anything for very long. Don’t worry, you never really master it! It’s all continual practice, without ever feeling like you know exactly what you’re doing. You practice and practice, and then practice some more. You might make some progress, only to find out that you still have so much more to learn.

It takes a crapload of practice, and that’s a beautiful thing to open up to.

You’ll think you’re doing it wrong, and fail a lot. You’ll start out and continually feel like your’e doing it wrong, and that won’t feel very good. The good news is that no one knows what the hell they’re doing, and it often won’t feel very good. The better news is that it’s not supposed to feel good, and you learn to accept the idea that you’re never very sure of anything. This is what life is always like, but we just usually blame it on the external circumstances (or think there’s something wrong with us), rather than accepting this uncertainty about everything as a basic part of our lives that we can open up to and even love.

It’ll show you all your “faults.” You’ll learn through mindfulness practice that you’re not as disciplined as you’d like to be. You’re not as tough, competent, skilled, exceptional. This will become clear as you practice.

You’ll come face-to-face with all of your demons. And then you’ll make friends with them.

You’ll start to think other people should be more mindful … and you’ll be wrong. As you start to get “better” at mindfulness, and more and more aware of your habits and patterns and thoughts … as you drop into the present more often … it will become clearer when other people aren’t being mindful. And you might think they should be practicing too, that they should put their phones down and be more present. You’ll think you know how others should be mindful, because you’ve learned a thing or two.

And then you’ll realize that judging others and thinking you know how others should behave is just your mind’s old pattern of judging and trying to get control. You’ll learn to let that go too, sometimes … and when you do, that’s when you’ll become more open to connecting with others vulnerably.

It requires more than mindfulness. As you practice, you’ll find that mindfulness by itself isn’t the answer to everything. It doesn’t magically solve any problems. It’s a powerful practice, and can bring wonderful awareness to your life. But sometimes that awareness is of all the terrible things you’re feeling, all the harsh thoughts you have about yourself, all the harsh thoughts you have about other people or the world around you. Awareness doesn’t always feel good! And it doesn’t solve everything.

Mindfulness is only part of the work. The work also requires compassion — for yourself and others. It requires vulnerability and the ability to open your heart. It requires honesty and the willingness to face things. It requires being willing to love things as they are, without needing to control things. It requires letting go of what you think things should be like, letting go of what you think you should have or shouldn’t have. The work requires you to be willing to be curious, to be open, to remain in not knowing.

It is beautiful work, and requires courage. I am learning along with you, and am glad to be on this journey with a fellow explorer.

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Judy Arnall: Discipline without Distress (30m)

This episode features an interview of parenting educator and author Judy Arnall from 2007 by Laura Markham of Aha! Parenting. They discuss Judy’s list of non-punitive discipline tools from her book Discipline without Distress. Purchase books by Judy Arnall on Amazon here.

Listen To This Episode (30m, mp3, 64kbps)

Subscribe via RSS here, or in any podcast app by searching for “voluntaryist voices”. Support the podcast at Patreon.com/evc or PayPal.me/everythingvoluntary.

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Rose Wilder Lane: Pioneer of Educational Freedom

My eight-year-old daughter Abby recently started reading Little House in the Big Woods by Laura Ingalls Wilder. It was prompted, in part, by watching the Little House on the Prairie television episodes with her great-aunt. Coincidentally, I have been reading more lately about some of the key women in history who promoted the ideals of individual freedom, limited government, non-coercion, and voluntary cooperation through trade. Rose Wilder Lane is one of these women. She was born on this day in 1886.

Liberty Should Always Trump Coercion

The daughter of Laura Ingalls Wilder and Almanzo Wilder, baby Rose is the child many of us remember from the ninth Little House book, The First Four Years. Perhaps those years of growing up on the prairie instilled in Lane a sense of rugged individualism and self-reliance that ultimately found their way into her writings throughout the 20th century. By the late 1920s, she was said to be one of the highest-paid women writers in the US. She became an outspoken critic of Roosevelt’s New Deal, Social Security, and other government programs she felt disempowered individuals and gave greater authority to the state.

In her 1943 book The Discovery of Freedom, Lane makes a compelling case for individual freedom and limited government power. She traces the roots of compulsion in many areas of life, including education, and explains why liberty should always trump coercion. She writes:

American schooling is now compulsory, enforced by the police and controlled by the State (that is, by the politicians in office) and paid for by compulsory taxes. The inevitable result is to postpone a child’s growing-up. He passes from the authority of his parents to the authority of the police. He has no control of his time and no responsibility for its use until he is sixteen years old. His actual situation does not require him to develop self-reliance, self-discipline and responsibility; that is, he has no actual experience of freedom in his youth. (pp. 259-60).

Lane goes on to say that this type of American education, imported from Prussia by 19th-century education reformers, “is ideal for the German state, whose subjects are not expected ever to know freedom,” but it is “not the best preparation for inheriting the leadership of the World Revolution for freedom” (p. 260). She laments the “substitution of compulsory State education for the former American free education,” saying that formerly “American children went to school because they wanted to go, or because their parents sent them,” not because it was mandated of parents under a legal threat of force (p. 258).

As Abby digs into the Little House series (which Lane was instrumental in helping to create to catalog the experiences of her parents), I learn alongside my daughter, fascinated by the life and works of baby Rose, who would grow up to become a pioneer of liberty.

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